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Welcome to AirFrame.One

 

Your footage is ready. Your editors shouldn’t have to wait.

AirFrame.One gives distributed editorial teams instant access to camera original media in Premiere, from anywhere in the world. Media lands in storage. Editors start cutting. Nothing moves.

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The pipeline between capture and cut is broken.

Camera wraps. Cards get offloaded. Media gets copied, transcoded, proxied, transferred, and synced before a single editor can touch it. Every. Single. Time.

That pipeline made sense when your team was in one building. It does not make sense when your editors are in Amsterdam, London, and New York and your deadline is today.

The industry’s answer has been to move media faster. Better transfer tools, smarter proxy pipelines, cheaper cloud storage. All of it still starts from the same assumption: media has to travel to the editor before work can begin.

AirFrame.One starts from a different assumption. Media stays where it lands. Editors come to it.



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Camera original media. In Premiere. Right now.

AirFrame.One connects directly to your existing S3 storage, or ingests from camera card to cloud.
From that moment, every frame is addressable.
Every editor on your team, wherever they are, sees footage in a familiar folder structure inside a browser portal, and inside their Premiere panel.
They drag a clip to the timeline and start cutting.
No download. No proxy. No wait.

This is not a virtual drive mounted over the internet.
It is not a sync tool. It is not a review platform. AirFrame.One is scalable, cloud-native, programmable media infrastructure - the layer between your storage and your editors’ timelines, rebuilt for the way global teams actually work.



Everything your editors need. Nothing they don't.

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Instant access to source media

Footage lands in your S3 storage and is immediately accessible in the browser and Premiere. No ingestion pipeline. No waiting for transcodes. No proxy generation required.

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The AirFrame Premiere panel

Frame-accurate access to source media directly in the timeline. Drag a clip, start cutting. The panel replaces the drive, not the editor’s workflow.

 

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Smart Frames™

ProRes, AVC-Intra, XDCAM, DNxHD/DNxHR, H.264/H.265, and MXF-wrapped formats play directly in the browser and timeline, transcoded on demand, frame by frame. No proxy files created. The source master is never touched.

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Your storage, unchanged

AirFrame.One connects to your existing AWS S3 bucket. No migration. No proprietary storage layer. Your media stays exactly where it lands.

 

 

 

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Folder structure your team already knows

Editors see footage in the folder hierarchy they expect. No metadata schemas to learn. No new organisational logic imposed on a team mid-production.

 

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Centralised access control

Role-based permissions managed from the portal, down to folder and file level. Onboard a freelancer in minutes. Remove access instantly. Every frame request independently authenticated.

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Zero trust, frame by frame

Security is enforced at the frame level on every request. When access is revoked, locally cached frames are invalidated automatically. No need for mounted volumes, shared network drives, or VPNs.

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SSO integration

Connect to your existing identity provider. One set of credentials across your organisation.

Full audit trail on every access event.

 

Remote editing Beach-1

No proxies. Not because we skip them. We replaced them.

A conventional proxy workflow transcodes your source media into a lighter file format in advance, stores that proxy file alongside the original, and serves it to remote editors. The proxy has to be generated before anyone can use it, and it occupies storage permanently.

Smart FramesTM works differently. When an editor plays a clip or scrubs through footage - in the AirFrame.One portal or in the Premiere panel - Smart Frames generates a compressed representation of only the frames being viewed, directly from the source media in your S3 storage, at the moment of the request. A short-lived cache holds recently accessed frames for performance. No proxy files are created or stored permanently. The source master is never touched.

For editors this means immediate access to footage the moment it lands in storage, with no ingestion job to wait for. Your storage holds one copy of your media, not two. Quality levels are configurable by administrators to match your team’s available bandwidth and workflow requirements.



For productions that cannot afford to wait

 
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Live and near-live sports

Camera wraps at the venue. Editors start cutting at the facility, at home, or on another continent - on the same source media, seconds after it lands. No drive shipment. No transfer window.

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Daily news and fast-turnaround content

Same-day production runs on the shortest possible path from capture to cut. AirFrame.One removes every step between the two.

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Multi-camera productions

Dozens of camera angles, one shared source. Every editor on the project, whether in the same building or spread across time zones, accesses the same footage, at the same time, from the same storage.

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Long-form drama and documentary

Distributed editorial teams working across locations on the same rushes. No version confusion.

No drives in transit. No relinking when media moves.

For editors, not asset managers

AirFrame.One is not a MAM. It does not manage masters, metadata schemas, or asset lifecycles. It is for the editorial teams upstream of all of that, the people who need to get into footage fast and cut.

Folders, not taxonomies. Clips, not assets. Your team is productive in minutes, not after a week of onboarding.

AirFrame.One makes the MovieLabs 2030 Vision a reality today, the industry’s own definition of what production infrastructure should look like. Try it for yourself. Book a 30 min demo.

Built for everyone.

Optimize landing and website pages or start from scratch.

Built for everyone.

Easy-to-use ensures new users learn to use prototyping tools.

"This template is really nice and offers quite a large set of options. It’s beautiful and the coding is done quickly and seamlessly. Thank you!"

Mark Robinson

Mark Robinson

Product Designer, Google

"Ive had the pleasure of working with Sprocket Rocket since its inception and find it to be an invaluable tool in helping modernize our HubSpot build process."

Meg Riley

Meg Riley

Product Designer, Google

"This template is really nice and offers quite a large set of options. It’s beautiful and the coding is done quickly and seamlessly. Thank you!"

Mark Robinson

Mark Robinson

Product Designer, Google

"Ive had the pleasure of working with Sprocket Rocket since its inception and find it to be an invaluable tool in helping modernize our HubSpot build process."

Meg Riley

Meg Riley

Product Designer, Google

"This template is really nice and offers quite a large set of options. It’s beautiful and the coding is done quickly and seamlessly. Thank you!"

Mark Robinson

Mark Robinson

Product Designer, Google

"Ive had the pleasure of working with Sprocket Rocket since its inception and find it to be an invaluable tool in helping modernize our HubSpot build process."

Meg Riley

Meg Riley

Product Designer, Google

Our AVROTROS production teams have long wanted to work with media efficiently and completely location-independently, without the need to move files, in native-format media, without proxies, and with the ability to add media on location that is instantly available. AVROTROS has the ambition to establish a cloud-native post-production environment and is piloting AirFrame.One to turn these ambitions into reality.

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